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Posts Tagged ‘advertising’

When was the last time you talked about a sandwich shop that served toasted sandwiches? Or featured artisan breads? Or delivered freaky fast?

What'sYourMission

Those might make good advertising stories, but not particularly compelling stories to share with friends.

I share my sandwich shop’s story. It’s about a mission to feed each and every person who walks through its doors with dignity regardless of the customer’s means.  I tell of Panera Bread’s community cafes where payment is optional and amount is discretionary.

How do they make money? What a cool company? How does that work? My friends get engaged in this story.

I like the food at Panera, but there are plenty of other good restaurants, choices. I would consider Panera to be a commodity if it weren’t for its mission. Instead, it’s where I go.

It’s the same for employees.  Without a mission that engages them—that gives them a story they’re proud to share with friends—the company they work for is just a commodity until the next better job comes along. Those who feel part of a company’s mission are less likely to leave.

Find your mission, separate from profit, and you’ll attract a fan base that will elevate your company from just a commodity to a brand.

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Last year about this time I announced that 2011 was to be my year to dive into social media.

Here’s my grade for the year: Incomplete.

In retrospect, it’s no big surprise. Even getting from toe-in-the-water to knee-deep took a significant effort. The deeper I got, the more I began to grasp the depths of what I didn’t know. And then there’s the matter of constant change in the social media world—you learn one thing and four new things pop up.

I count as my accomplishments for 2011:

  • Launched my blog in earnest
  • Increased use of Facebook and LinkedIn, including connecting my blog posts to these sites
  • Opened a Twitter account and have a few followers, though I don’t tweet nearly enough to enough people, nor interact with people who I follow
  • Have a YouTube channel and have posted a few videos
  • Started a Google + page but have only a very small circle (Hello Elliot, Anabel and Bernie Sanders)
  • Played around with MerchantCircle
  • Just began to explore Pinterest
  • Joined 20 or so LinkedIn or Yahoo groups and have contributed to the conversation in many of them
  • Received countless e-letters devoted to social media and attended several on-line presentations on the subject

I still have a lot to learn and do better. I will have to commit to SEO tactics for raising my profile. I need to grow and better integrate my social media efforts with each other and with other marketing tactics to make a bigger impact. I must create (useful) content even more regularly.

I need to do all of this, without spending so much time, money and other resources that I have little left for doing the work that’s suppose to come from the effort.

But bottom line in my social media journey is that I need to be more social. That’s my challenge.

That ought to help me get waist deep and almost ready to swim.

Who’s with me?

Thanks to http://webdesignledger.com for the free social media icons.

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I’m about to purchase a pair of basketball shoes. At my age, basketball is a combination of exercise and mental health therapy, with no hope of ever dunking the ball or even developing a nasty crossover dribble (note to those who guard me: I rarely go to my left).

So why should I care what basketball shoes I buy? Perhaps I’ll buy the most comfortable shoe I can find. Or the most durable. Or the cheapest. Or even the coolest looking ones. But no. The first thing I look for is the Nike Swoosh. Why? Because, like all of us, when I shop I take with me the part of my brain that processes emotion. It’s not that I don’t have the rational part of the brain with me, too. It’s just that the emotional part makes the decision, often unconsciously, and the rational part justifies the decision I make.

Ergo, I look for the Nike Swoosh, and then rationally choose the coolest, most comfortable Nike basketball shoe at my price point.

Where did my emotional connection with Nike come from? Certainly design plays a big part of it, though some of the Nike basketball shoes I’ve purchased have been pretty garish. It’s because Nike has connected with me on an emotional level higher than a maker of basketball shoes.

Three levels of needs: A strategy for earning brand loyalty

In my last post, about deepening employee engagement, I offered three levels of needs: articulated, un-articulated and unknown, un-articulated needs.

Let’s apply those need levels to my shoe purchase:

  1. Articulated Need: It would be great if I had a comfortable, durable and stylish basketball shoe at the price I want to pay.
  2. Un-articulated Need: Why would that be great? Because I would look and feel good when I’m on the basketball court.
  3. Unknown Un-articulated Need: Why would that be great? Because I would feel more confident, which would help me maximize my athletic potential.

My un-articulated need, then, is for a coach to help me maximize my basketball abilities. Enter the Nike theme line: “Just do it.” Sounds like a coach to me. Enter all the iconic Nike commercials designed to inspire us to higher performance. Looks like a coach to me. Enter the iPod+ shoe—a shoe with a training tape built right in. Acts like a coach to me.

This is obviously not a rational connection I have with Nike. It’s an emotional one—the kind that can withstand a rational sales message from a different label claiming a more comfortable, durable, fashionable basketball shoe. That label won’t be my coach.

What brands do you love?

Try the same laddering exercise with a brand you love. Ask yourself when you buy this product, what are you hoping for? It would be great if what? Why would that be great? And why would that be great?

Apple doesn’t just sell me an elegant, easy to use computer. It doesn’t just make me more productive. It’s my creative co-conspirator, always innovating ways in which I can express my creativity. Therefore, I am an emotionally connected Apple evangelist.

Next time you go shopping, note brands to which you’re most loyal. How have they connected to the emotional part of your brain? I’d love to hear your answers.

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Four years ago, when I started GPS Creative, I wasn’t too sure about the name. Would people get the reference to Global Positioning System? Does it really encompass what I do? Does it have staying power? The one thing I did know, is that the URL was open and I was tired of finding all my other options taken. Admittedly, having gpscreative.com available didn’t help my confidence, when much less obvious domain names were already gobbled up.

Now, as I look back at all I’ve learned while helping individuals, teams and organizations plan for their future, I see the name as a lucky accident. Whether I’m taking organizations through strategic planning or brand strategy workshops, or teams through innovation training, or facilitating qualitative research, or as I work with my creative partners to develop marketing campaigns, the name still fits.

The Creative Road Map

It fits because, like GPS technology, the deliberate creative process through which I facilitate all the work I do, is based on understanding three basic elements:

  1. Where you are now
  2. Where you want to go
  3. And the best route for getting there

Now think about how many projects, in which you’ve participated, didn’t have a clear goal. How many failed to explore all the factors of the current situation before the plan was implemented? How many had no defined steps for reaching the goal? How many simply were solving the wrong problem?

Without a deliberate process, these are the detours on which many of us find ourselves.

When I meet new prospects, there are two questions that are important to me above all others: What would you really love to see happen? And, What do you think is stopping you? From this, I can get a sense of where clients might want to go, and what they think their current barriers are to getting there. The map already begins to take shape.

Chance favors the prepared mind.

You might be wondering if deliberate creativity is somehow different from real creativity, which happens intuitively, and in an “ah-ha” moment. The answer is, “ah-ha” moments bubble up from the subconscious after an incubation period. Deliberate creativity doesn’t bypass those moments, it nurtures them. Moreover, with any trip you might take with a GPS device, you will probably encounter and be delighted by unexpected sights and new experiences along the way for which you hadn’t exactly planned. These will often be the stories you remember most vividly. The same applies to GPS Creativity. Along the creative path, you will encounter unexpected insights and new ideas for which you hadn’t planned—the “ah-ha” moments. These are ultimately the drivers of growth and innovation.

As someone who has worked in the creative side for many years, I still rely heavily on my intuition, a flash of insight, a new connection—but I’m also reassured that when I’m feeling lost, there is a map, when I need it.

And, I’m feeling better about the company name.

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What do you do for a living?

That’s the question a marketing friend of mine asks when he explains his approach to storytelling. Most of us would reply with a job title. I’m an account executive. I’m an insurance broker. I’m a teacher. Painter. Social worker. Nurse.

He would reply, “I help businesses make more money—that’s what I do for a living. So every morning, I wake up excited to discover some new story that will help a client make more money, because I know when I help clients grow, it means a new person might be hired, and that person might have a family, and he or she might be able to send a child to college or take a wonderful vacation. And who wouldn’t want to be part of making that happen? I help businesses make more money by helping them find their story…” By this time, you’re hooked on Greg Noack’s personal story and the story of his company, Fountainhead Communications (fountainheadcommunications.com). And Greg has many wonderful stories about how his company has helped clients find their stories and make more money.

I write about Greg’s story for three reasons:

  1. A lot of people talk about the importance of story in branding, but few people, or brands for that matter, really know how to tell a good one.
  2. Telling a good story is a surefire way to spark an emotional connection with your audiences. And that’s how you gain loyalty and develop long-term relationships.
  3. Everyone has a good story to tell.

What’s your gift?

I often ask my clients about gift, as in what gift do you give to those who you expect to sell or influence? A gift is on a higher plane than a benefit, because everyone expects a benefit. The gift is something unexpected and meaningful.

For example, I may call myself a strategic planning facilitator, an innovation trainer, a brand strategist or a creative director, and you will have your ideas about what benefit I might offer and whether it’s worth it to you. My guess is you’ll frame the benefit in terms of activities or deliverables, like an effective plan or insightful strategy or an engaging ad campaign or a dynamic training program. But that’s not my gift. That’s my job. My gift is helping you connect to your creativity to do great and satisfying things. Most of my clients aren’t expecting that connection to their creativity and are delighted, and a bit surprised, by it. This is the source of my stories: how, as a Creative Director, I came to study creativity…how I was transformed by what I learned…how others have reported back to me their individual and their organization’s transformation after practicing some of the processes, tools and cultural drivers of creativity that I share with them. This unsolicited feedback is their affirming gift back to me.

Greg is also the person who introduced me to the quote, “Man’s mind, once stretched by a new idea, never regains its original dimensions,” by Oliver Wendell Holmes. Greg’s approach to story has stretched my mind—his gift to me.

So, while it’s not my birthday, I’d love the gift of hearing your story.

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Nation…Recently, I finished Stephen Colbert’s book, I am America (And So Can You!) Like Mr. Colbert, I’m no fan of reading books, but this one has a lot of pictures, so I made the exception. It has a lot of opinions, too. And I am a big fan of opinions, because if there is one thing I’m absolutely certain of, it’s my opinions. (My opinions, death and taxes.)

It’s my opinion that we can learn about brand building by watching Mr. Colbert. Here is a man who has been able to match his not-so-hidden agenda—Mission, Vision, Values and Purpose—so purely to his powerfully cohesive Look, Message and Actions. What is his agenda, you ask? (I’ll ask for you.) My opinion tells me that his agenda clearly is to realize a world driven by the free market so that he can use his self-promotion talents to build his power-base and monetize his fame. (Who wouldn’t want this?)

Let’s start with the Look. He is consistent: Dark suit, white shirt, power tie, wire-rim glasses, and well-coiffed mane (nice job of hiding the gray, sir)—the uniform of a free-market zealot. The Look is reinforced on his website, over and over again in his book and at his public appearances. He only varies it to prove a point, which makes that point all the more noticeable and powerful. For example, when he went to Iraq, he wore camouflage and got his head shaved. This proved the point regarding his unequivocal support of the troops. (Also made the point that he looks better with longer hair.) Then every night thereafter, when we saw him with short hair, we were powerfully reminded of the point he made when he had it shaved. (Short hair takes awhile to grow back.)

Next, let’s examine his Message. Again, he’s consistent both in content and in tone (and by content and tone I mean so close to the edge of satire that you might even think he leans to the left). Free market… support of the Republican agenda…doesn’t see race…doesn’t read books…afraid of bears…believes in a Christian nation…a mistrust of science are all familiar themes (and by familiar I mean excrutiatingly monotonous.) We know where Stephan Colbert stands. (In high regard with his banker.)

And his Actions match his Look and Message. He walks the talk (pays illegal immigrant to walk; he just talks). He puts people on notice, points out threats, give a tip of his hat or wag of his finger, challenges all his interview guests with his right-wing perspective (pistols at dawn might be easier) and otherwise offers his opinions unabashedly. (To his guests it may seem to be more bashedly).

How do you measure the success of the Colbert brand? His Facebook page has nearly 2,000,000 fans. His show is immensely popular, he spoke at the White House Correspondent Dinner, His book was on top of the New York Times Bestseller’s List, and by his own admission, Stephan is incredibly wealthy.

I choose to measure it by the impressive (in its odd range) list of other “brands” that wanted to affiliate with Stephan to receive his famous bump. From his website:

Colbert has literally made a name for himself with “The Colbert Report.” The following have all been named in honor of the host: Steagle Cobeagle the Eagle, the mascot for the minor league hockey team Saginaw Spirit; Stephen Jr., a bald eagle at the San Francisco Zoo; Stephanie Colbertle the Turtle, a leatherback turtle in the first Great Turtle Race; Aptostichus Stephencolberti, a trapdoor spider; Air Colbert, a Virgin America jet; American Dream, a Ben & Jerry’s ice cream flavor; Esteban Colbert, a very virile falcon in San Jose; Stelephant Colbert, an elephant seal tagged as part of a study by University of California Santa Cruz; Agaporomorphus Colberti, a diving beetle from Venezuela; and a NASA treadmill called the Combined Operational Load Bearing External Resistant Treadmill (C.O.L.B.E.R.T.).

Stephan Colbert is an authentic brand. He has translated his agenda into a compelling Look and Message. He remains consistent in his Actions. This has earned him brand zealots—something to which all brands aspire.

Finally, to Mr. Colbert: You’re welcome, sir. You’ve just received the GPS Creative bump.

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As one who has spent a career in the business of being creative, I’ve always been both puzzled and amused by the challenge of estimating fees based on the hours I will spend developing breakthrough, innovative ideas for clients. The question is essentially, How long does it take to be creative? Well, I could get an inspiration in a moment, or it could take a month! That’s the way it is with creativity—you never know when the ah-ha moment will hit.

No less of a creative authority than Albert Einstein, said, How do I work? I grope.

I can’t pretend to be able to unlock the secret to knowing how long it takes to be creative; however, it’s worth a discussion to explore what we can do to grease the skids for that creative moment.

Louis Pasteur once famously remarked, “Chance favors the prepared mind.”

Here are some ways I prepare to be creative:

  1. I start by erasing my assumptions. Or at least I question them. In fact, I might even pretend I’m from a foreign land and I’m viewing the issue or opportunity for the first time without any preconceived opinions or ideas.
  2. I’m deliberately curious. I force myself to think of at least 5 questions, whose answers might affect my new thinking on the particular issue/opportunity I’m addressing. I continue to ask why, like a five-year-old might, until I get to the root of my answer.
  3. I pay attention to my emotions. Inspiration may be fueled by knowledge, but it’s lit by emotion. As I gather information, I’m checking my feelings. If a piece of information or an idea makes me laugh, anxious, impassioned or confused, I look for the creative power within it.
  4. I sleep on it. I like to fall sleep thinking about a specific issue or opportunity with the hopes that my subconscious mind will bubble up some creative ideas that will come to me the next day.
  5. I work it out when I’m working out. I also use physical exercise as a prime time to prime my mind for creativity.
  6. I observe. If there is a place to go that is relevant to the issue or opportunity I’m exploring—say a retail space where a customer shops for a particular product, or the environment where a customer might use that product—I’ll observe what’s happening. What’s easy or hard? Where is the joy or frustration? What’s happening and why?

As I write this post, I understand that preparing to be creative is a deeply personal ritual. We all have our own styles. We also have tools we use to get us started—I’ve shared some of mine.

How do you prepare your mind to be favored by the chance of uncovering a transformational idea? How long does it take you to be creative?

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