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Archive for the ‘Leadership’ Category

A Happy and Creative New Year

My first ever sonnet

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Here’s a short video offering two simple lessons for nurturing innovation and transforming a corporate culture. Try it. You might like it.

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I’ll admit to those of you playing Buzzword Bingo that I know the word engagement is most certainly on your card. I’ll chip in that perhaps it’s there precisely because engagement is worth talking about. Exploring engagement is really about helping employees identify for themselves, Why should I care? And how much of my effort is really required to max out my rewards?

How many of you have thought about engagement in relationship to your own work? Have you asked your employees and other stakeholders about the character of their engagement with your organization? Or is it, something that you just feel?

Three Levels of Needs: A Strategy for Engagement

The extent to which you, an employee or other stakeholder is engaged, is based on three levels of needs:

  1. Articulated Needs: Am I getting what the organization promised me?
  2. Un-articulated Needs: Am I getting what I want, but haven’t told anyone in the organization?
  3. Unknown Un-articulated Needs: Are there things I could get that I haven’t even considered?

The first level of Articulated Needs, known to both organization and employee, likely comes from a formal or tacit job description and is the focus of most discussions regarding employee satisfaction and performance.

Strategy: When a formal review is performed, it’s good to provide a written list of the organization’s promises for the employee to check against.

The second level of Un-articulated Needs can be most insidious in diluting an employee’s engagement. Here, a set of expectations is known only to the employee, leaving up to luck, the organization’s ability to deliver. Meanwhile, the employee is thinking, why can’t they meet my needs?

Strategy: Ask the employee, is there anything you expect from the organization that you haven’t told us, and we haven’t met? Perhaps it’s more frequent feedback, a raise, more visibility in the organization. Then follow that with a discussion of how the organization might align to help deliver on those needs.

Often there are job benefits that an employee hasn’t even considered. This third level of Unknown Un-articulated Needs is potentially the most powerful in securing an employee’s buy-in, loyalty and increased productivity. This is the gift that the organization gives to transform good employees into ambassadors for the organization.

Strategy: Ask the employee to finish the thought, It would be great if the organization and this job would provide me with what? Why would that be great? and What else would be great? Find some areas in which the organization could satisfy those needs. Perhaps it’s personal or career development opportunities, such as a chance to grow a network, learn a new skill or have a platform for industry-wide visibility.

The Other Side of the Equation

All of these employee needs for engagement should be balanced against the organization’s needs from the employee. If the employee isn’t certain that his or her rewards are equal to or greater than what the organization expects from the employee, then burnout will ensue and the engagement won’t be sustainable. And because needs and responsibilities change, this equation should be revisited on a regular basis.

Implications to Your Organization’s Brand

If you’re wondering what employee engagement has to do with branding, then you are probably missing one of your most potent branding tools. Smart organizations brand from the inside out; that is, they understand that before you begin building a brand with customers, the employees have to buy into and be passionate about delivering the best brand experience. Customers can spot a half-engaged employee a mile away, and it certainly dilutes the brand promise beyond the moment of a less-than-satisfying interaction with that employee.

In my next post, I’ll discuss how these employee engagement principles might apply to customer engagement. In the meantime, any feedback you have for me would be a gift.

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Four years ago, when I started GPS Creative, I wasn’t too sure about the name. Would people get the reference to Global Positioning System? Does it really encompass what I do? Does it have staying power? The one thing I did know, is that the URL was open and I was tired of finding all my other options taken. Admittedly, having gpscreative.com available didn’t help my confidence, when much less obvious domain names were already gobbled up.

Now, as I look back at all I’ve learned while helping individuals, teams and organizations plan for their future, I see the name as a lucky accident. Whether I’m taking organizations through strategic planning or brand strategy workshops, or teams through innovation training, or facilitating qualitative research, or as I work with my creative partners to develop marketing campaigns, the name still fits.

The Creative Road Map

It fits because, like GPS technology, the deliberate creative process through which I facilitate all the work I do, is based on understanding three basic elements:

  1. Where you are now
  2. Where you want to go
  3. And the best route for getting there

Now think about how many projects, in which you’ve participated, didn’t have a clear goal. How many failed to explore all the factors of the current situation before the plan was implemented? How many had no defined steps for reaching the goal? How many simply were solving the wrong problem?

Without a deliberate process, these are the detours on which many of us find ourselves.

When I meet new prospects, there are two questions that are important to me above all others: What would you really love to see happen? And, What do you think is stopping you? From this, I can get a sense of where clients might want to go, and what they think their current barriers are to getting there. The map already begins to take shape.

Chance favors the prepared mind.

You might be wondering if deliberate creativity is somehow different from real creativity, which happens intuitively, and in an “ah-ha” moment. The answer is, “ah-ha” moments bubble up from the subconscious after an incubation period. Deliberate creativity doesn’t bypass those moments, it nurtures them. Moreover, with any trip you might take with a GPS device, you will probably encounter and be delighted by unexpected sights and new experiences along the way for which you hadn’t exactly planned. These will often be the stories you remember most vividly. The same applies to GPS Creativity. Along the creative path, you will encounter unexpected insights and new ideas for which you hadn’t planned—the “ah-ha” moments. These are ultimately the drivers of growth and innovation.

As someone who has worked in the creative side for many years, I still rely heavily on my intuition, a flash of insight, a new connection—but I’m also reassured that when I’m feeling lost, there is a map, when I need it.

And, I’m feeling better about the company name.

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What do you do for a living?

That’s the question a marketing friend of mine asks when he explains his approach to storytelling. Most of us would reply with a job title. I’m an account executive. I’m an insurance broker. I’m a teacher. Painter. Social worker. Nurse.

He would reply, “I help businesses make more money—that’s what I do for a living. So every morning, I wake up excited to discover some new story that will help a client make more money, because I know when I help clients grow, it means a new person might be hired, and that person might have a family, and he or she might be able to send a child to college or take a wonderful vacation. And who wouldn’t want to be part of making that happen? I help businesses make more money by helping them find their story…” By this time, you’re hooked on Greg Noack’s personal story and the story of his company, Fountainhead Communications (fountainheadcommunications.com). And Greg has many wonderful stories about how his company has helped clients find their stories and make more money.

I write about Greg’s story for three reasons:

  1. A lot of people talk about the importance of story in branding, but few people, or brands for that matter, really know how to tell a good one.
  2. Telling a good story is a surefire way to spark an emotional connection with your audiences. And that’s how you gain loyalty and develop long-term relationships.
  3. Everyone has a good story to tell.

What’s your gift?

I often ask my clients about gift, as in what gift do you give to those who you expect to sell or influence? A gift is on a higher plane than a benefit, because everyone expects a benefit. The gift is something unexpected and meaningful.

For example, I may call myself a strategic planning facilitator, an innovation trainer, a brand strategist or a creative director, and you will have your ideas about what benefit I might offer and whether it’s worth it to you. My guess is you’ll frame the benefit in terms of activities or deliverables, like an effective plan or insightful strategy or an engaging ad campaign or a dynamic training program. But that’s not my gift. That’s my job. My gift is helping you connect to your creativity to do great and satisfying things. Most of my clients aren’t expecting that connection to their creativity and are delighted, and a bit surprised, by it. This is the source of my stories: how, as a Creative Director, I came to study creativity…how I was transformed by what I learned…how others have reported back to me their individual and their organization’s transformation after practicing some of the processes, tools and cultural drivers of creativity that I share with them. This unsolicited feedback is their affirming gift back to me.

Greg is also the person who introduced me to the quote, “Man’s mind, once stretched by a new idea, never regains its original dimensions,” by Oliver Wendell Holmes. Greg’s approach to story has stretched my mind—his gift to me.

So, while it’s not my birthday, I’d love the gift of hearing your story.

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Recently, we were invited to present our branding capabilities to a team of marketing/branding executives at a prospective client. Even before we got through introductions, it was easy to see how little they understood—not just about their brand—but what it takes to even be a brand.

To be completely fair in this tale, we were invited to present our capabilities at the request of someone who was leaving the organization’s marketing department. We had no opportunity for direct communications with this group before the meeting other than to hear that they wanted a capabilities presentation. As such, the branding services we were “selling” might not have been a good match with the services they wanted to buy.

The Meeting

After keeping us waiting for 20 minutes, we began the meeting with introductions. Each member of our team provided a brief and enthusiastic description of his or her background; they merely told us their names. After further deliberate probing we were able to coax from each of them their job titles and how long they had been with the organization. Nothing else. This early sign of non-engagement was reinforced when the top executive furtively checked her phone for emails throughout the presentation.

We presented our perspective as strategic partners on brand strategy and our approach to establishing and maintaining a consistent look, voice and actions of a brand; they were interested in our ability as vendors to follow graphic standards and work on tight budgets. Fair enough. This is why it would have been helpful if they were available to give us some input before our meeting.

And that sets up my point.

Previously in this blog, I’ve talked about the disconnect many organizations have between their Mission, Vision, Values and Purpose, and their Brand. Check out the values of this organization:

Integrity, Compassion, Accountability, Respect, Excellence

Note how the first letters of each value spells out I CARE. Well this executive team acted like it couldn’t care less about our meeting.

So the question is, if the organization/brand has values of compassion and respect, does that just apply to its customers? Shouldn’t it also apply to employees, strategic partners and even potential vendors? Think about the person who is exceedingly compassionate and respectful to people with whom s/he does business, but treats the waiter like dirt: is that person authentically compassionate and respectful? And if you don’t hold yourself accountable for living the organization’s values, where is the integrity in that? Or the excellence?

Most marketing and branding departments own their responsibility to manage the brand look and message to “customers.” But how many think to own the responsibility of acting the brand values to all stakeholders—internal and external? Even vendors? I once heard that it takes 10 positive comments to counter one negative comment. Imagine how many negative comments are generated in the community when a vendor is treated poorly? (Note: The purpose of this post is not to call out a particular organization; rather, to use the experience as a learning moment for me and my readers. I do, however, admit to feeling differently about this organization and its leadership than I did before the meeting.)

So, after all my ranting, what is the true cost of behaving badly in a meeting? Is it a marketing and branding team’s responsibility to set the example for how a brand should act? Or is this too much to ask, and is it enough to just manage the brand’s look and message?

What do you think?

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How does curiosity get piqued? What is the value of being curious? And, most importantly, what can you do to become more curious?

Wondering why I ask these questions? It’s because I’ve noticed a paradox in my work facilitating innovation and change leadership: Professionals who are considered experts, are naturally evaluated by what they already know. The prevailing thought is, “Experts get paid a lot of money to know, so it might look bad for them to question their own knowledge.” Perhaps they consider questions the sign of a novice; or worse yet, something over which children obsess. Expertise and knowledge, then, can be a barrier to curiosity; yet, curiosity is what built the knowledge and expertise in the first place.

Here is what I mean by curiosity being at the root of knowledge and expertise, as well as the driver of innovation and change leadership:

1. Curiosity drives active learning.

As a way to illustrate the potential power of curiosity on our proclivity to learn, I can imagine this difference between a naturally curious person—or active learner—and myself in my usual reactive learner mode:

ME: I touch a hot stove and I learn to never do that again. It hurts!

NATURALLY CURIOUS PERSON: Learns the same thing I did when touching a hot stove, but then asks, what makes the stove hot? How do people feel pain from heat? How does the skin heal itself? What are the common factors that make people touch hot stoves? And on and on! These questions could lead to learning about physics, medicine, psychology, risk management—curiosity naturally opens up new avenues to knowledge. Because of curiosity, maybe someone will invent a stove top that cooks food without being hot to the touch. Maybe we’ll get an instant burn-healing ointment—or some sort of smart-alarm that senses when a cook gets too close to the burner.

Active learning drives innovation.

The point is, innovation, itself, is a learning exercise. In other words, innovation doesn’t come from knowing, it comes from asking. There’s a risk to this when you have to ask, “Have I been defining the right goal? Have I been solving the right problem? Do I understand the nuance of context? Are there motivations I haven’t yet considered? All of these are hard questions for an expert to ask. Still, you must be curious and open to exploring all the uncharted paths on which your questions take you—even if (and here’s your second risk) you have no assurance it will lead you to the promise land of innovation. Albert Einstein is a great endorsement for following curiosity’s many paths. When asked about his work process, he said, “How do I work? I grope.”

Curiosity drives engagement (which drives change).

Here’s something else I’ve noticed: When I’m naturally curious, I  become naturally more engaged. Sometimes it’s a desire to fill gaps in my knowledge. Other times, my curiosity is piqued by a problem to be solved…something to figure out. So now, if I’m not feeling engaged in something that I know I should be, I try to become curious. What is the one question I can ask that will invest me in a meeting, in a task, in a conversation? How can I use my curiosity to engage in and lead change?

This all leads me back to one of my initial questions: What can you do to become more curious? I know I could do better, so I’m just asking…

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As one who has spent a career in the business of being creative, I’ve always been both puzzled and amused by the challenge of estimating fees based on the hours I will spend developing breakthrough, innovative ideas for clients. The question is essentially, How long does it take to be creative? Well, I could get an inspiration in a moment, or it could take a month! That’s the way it is with creativity—you never know when the ah-ha moment will hit.

No less of a creative authority than Albert Einstein, said, How do I work? I grope.

I can’t pretend to be able to unlock the secret to knowing how long it takes to be creative; however, it’s worth a discussion to explore what we can do to grease the skids for that creative moment.

Louis Pasteur once famously remarked, “Chance favors the prepared mind.”

Here are some ways I prepare to be creative:

  1. I start by erasing my assumptions. Or at least I question them. In fact, I might even pretend I’m from a foreign land and I’m viewing the issue or opportunity for the first time without any preconceived opinions or ideas.
  2. I’m deliberately curious. I force myself to think of at least 5 questions, whose answers might affect my new thinking on the particular issue/opportunity I’m addressing. I continue to ask why, like a five-year-old might, until I get to the root of my answer.
  3. I pay attention to my emotions. Inspiration may be fueled by knowledge, but it’s lit by emotion. As I gather information, I’m checking my feelings. If a piece of information or an idea makes me laugh, anxious, impassioned or confused, I look for the creative power within it.
  4. I sleep on it. I like to fall sleep thinking about a specific issue or opportunity with the hopes that my subconscious mind will bubble up some creative ideas that will come to me the next day.
  5. I work it out when I’m working out. I also use physical exercise as a prime time to prime my mind for creativity.
  6. I observe. If there is a place to go that is relevant to the issue or opportunity I’m exploring—say a retail space where a customer shops for a particular product, or the environment where a customer might use that product—I’ll observe what’s happening. What’s easy or hard? Where is the joy or frustration? What’s happening and why?

As I write this post, I understand that preparing to be creative is a deeply personal ritual. We all have our own styles. We also have tools we use to get us started—I’ve shared some of mine.

How do you prepare your mind to be favored by the chance of uncovering a transformational idea? How long does it take you to be creative?

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One of my favorite Peanuts cartoons shows Charlie Brown and Linus leaning against a fence. Linus asks Charlie Brown a theological question: When you go to heaven are you graded on a percentage or a curve? Charlie, without hesitation replies, “On a curve, naturally.”  When Linus asks, how he can be so sure, Charlie responds, “I’m always sure about things that are a matter of opinion.”

That exchange provokes thought on many levels, not the least of which is the topic I’d like to explore today: Balancing Advocacy (communicating one’s perspective) with Inquiry (asking questions and listening to others).

Of course, Linus was the deep thinker in the neighborhood. As an Inquirer, he got there by asking questions…seeking the truth. Charlie Brown, the Advocate, was often the buffoon; outsmarted by his dog; as manager, never a winning baseball game; and, always falling for Lucy’s fake sincerity when she pulled the football away just when Charlie was about to kick it.

Inquiry seems to have the edge in this comic strip.

Now let’s look in the corporate world. Here, it’s often those who have the greatest conviction in their set of assumptions who win. Advocacy rules over inquiry because at the end of the day, decisions must be made and action taken based on available information. Analysis paralysis does not move a company forward.

So where is the balance to be found? Where’s the line between think and over-think? And where is the time to do either? How can the Advocates be sure they hear from the Inquirers—and not just get their way because others are insecure or afraid of being wrong? Or because they fear uncovering a different, less pleasant truth? Or, perhaps because they’re apathetic?

A Playing Field for Advocacy and Inquiry

Innovation is one arena where Advocacy and Inquiry must play well together. In order to be innovative, one has to question everything. All assumptions are suspect, everything must be seen through fresh eyes. Wild ideas, experimentation and mistakes are catalysts for breakthrough solutions. But in the end, innovation requires change. Someone has to sell the new idea—be its Advocate—to those who might still be in Inquiry mode. And even more importantly, to those in the Off mode.

I love this quote by Fredrich Jacobi, who says, “We must try harder to understand than to explain.” A great endorsement for the clarifiers among us.

On the other hand, Teddy Roosevelt once said, “In any moment of decision the best thing you can do is the right thing, the next best thing is the wrong thing, and the worst thing you can do is nothing.”

The Inquirer in me will continue to search for the balance. The Advocate in me tells me to get back to work.

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Have you ever tried to sell yourself or sell an idea with a logic that seems so obvious to you, yet for some unknown reason, it doesn’t sink in with others? Like the time you had that perfect pitch to a prospect who was less than generous in providing feedback? Too often our presentations and marketing materials focus on what we believe are our strengths or the strength of the idea. We cite statistics and stories for support. Yet these presentations miss the mark because they fail to consider what the prospects might need to hear before they can even listen to what we’re selling.

In short, many of us present ourselves and our ideas by talking about what’s important to us rather than what’s motivating to our prospects. We miss the important step of considering the context for our message, before crafting the content of the message.

The following is an approach for 1) exploring context, and 2) focusing content for your message.

Exploring Message Context

What’s happening? Begin by looking at your own assumptions, perspectives or attitudes that influence your presentation, and how they might be similar or different than those of your prospect?

Why is it happening? What market forces, personality traits and other issues might be affecting those assumptions, perspectives or attitudes, and therefore influence the decision to act?

What do we want to happen? What is the goal of the communication? And if different, what is the ultimate long-term goal of the relationship? What are the obstacles that might get in the way of achieving the goal?

Use the insights from this exploration to frame your content. Two examples:

  • If  your prospect has engaged the organization in a customer relationship initiative and you’re trying to sell sustainability, your prospect might not want his employees to lose focus with another initiative. You might frame your proposal as a way to enhance customer relationships. Or you might wait until after the customer relationship initiative is well seeded before attempting to sell in a sustainability initiative.
  • If, after thinking about your prospect’s personality, you decide she is an implementer who is not much interested in hearing about the planning process, you might want to begin by talking about goals, deliverables, metrics and schedules before talking about your process for finding and leveraging the insights that drive your work.

Focusing Message Content

Once we know the context of the message, we can better focus the content of the message. The trick here is to avoid the mistake of focusing only on the What of the message, and failing to connect the So What and Now What. Below is the distinction we make between What, So What and Now What.

a) What you want the prospects to know.

There are a variety of tools to help you arrive at a pinpoint focus on what you want to communicate. For example, if you’re selling the services or products of your organization you might use a concept in Jim Collin’s book, Good to Great and explain, what you do better than any other organization on the planet, If it’s an idea you’re selling, write the newspaper headline that explains it. Then elaborate; but remember, the object is to engage your prospect in the What, not to demonstrate your encyclopedic knowledge of the topic.

b) So What it means to your prospects and why they should care

It’s always good to list the traditional benefits that you believe the prospect might hope for or even expect. Then explore what benefit you might deliver that the prospect doesn’t even know is needed until it’s offered. This is meeting the unknown, unmet need (we call it the gift) and if you meet all known needs plus a compelling unknown, unmet need, then you have successfully differentiated your organization or idea from all others.

c) Now What I want you to do about it

While this seems obvious, many times we forget to “ask for the order.” We are so focused on presenting ourselves that we forget to tell the prospects what we want them to do.

So this is what I’d like you to do. Try exploring context for your next presentation. Connect your What to the So What and Now What. Share this post with others. Then give me feedback. Let me know what helps you…what confuses you…how we might improve this communication model.

Oh, and let me know if you come up with any new ideas for “what’s in it for you.”

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